Christopher O’Riley is not your typical classical pianist. A virtuoso who effortlessly spans the realms of Bach and Radiohead, O’Riley has spent his decades-long career redefining what it means to be a musical interpreter. His multifaceted talents—as a pianist, arranger, educator, and radio producer—are united by a deep sense of artistry and innovation.

In a recent conversation, O’Riley delved into his role as an interpreter, sharing insights about his latest project—recording Bach’s Well-Tempered Clavier, Book 1—and reflecting on pivotal moments that have shaped his career.

One such moment occurred during his time at the New England Conservatory, where he internalized a critical lesson. “Going to NEC was pivotal because Gunther Schuller was the president, embodying the Duke Ellington adage he passed along to me: ‘There are only two kinds of music, good music, and the other kind,’” O’Riley recalled. “That adage places the responsibility firmly on the performer and the audience. As a performer, I should play and prepare to the best of my ability what I believe to be good. And the audience should allow themselves not to be swayed by ‘oh, you should like this, you shouldn’t like this.’”

While perhaps best known in the classical music world, O’Riley has gained a dedicated following for his interpretations of Radiohead. His obsession with the band began while hosting NPR’s From the Top, a program showcasing young classical musicians. Despite the show’s classical focus, O’Riley found creative ways to introduce contemporary music, arranging Radiohead songs and incorporating them into his solo performances.

“As I was obsessed with Radiohead back in 2000, I started doing these arrangements of their pieces and would play them on the program,” O’Riley explained. “The audience, of course, presupposed that as a classical pianist, I was playing something classical. Our announcer would come on air after my performance and say, ‘That was our host Christopher O’Riley performing “Karma Police” by Radiohead.’ And sure enough, we’d get emails asking, ‘Who is this contemporary classical guy?’” O’Riley’s Radiohead arrangements became a hallmark of his repertoire, many premiering for the first time on national radio.

O’Riley’s latest project is recording Bach’s Well-Tempered Clavier, Book 1—a work he considers foundational. “Many people will agree with me that one learns more from the study of Bach’s music than from any other composer. It’s the font of all Western musical knowledge and inspiration,” he explained. He also noted, “Bach was primarily a composer of vocal music—a composer for the most expressive instrument known. It occurred to me that it didn’t seem likely when he sat down to write at the keyboard, he would suddenly abandon his heart.”

His approach to the Well-Tempered Clavier draws on extensive knowledge of articulation and phrasing, aiming to bring a vocal quality to the piano. The recording showcases his expressive style, treating each prelude and fugue as an opportunity for new interpretation.

With Book 1 now recorded, O’Riley is already contemplating new projects, including a potential recording of Book 2 of Bach’s iconic work. For O’Riley, music is an ever-evolving dialogue between composer, performer, and audience—a conversation that continues to shape his remarkable career.

Listen to the episode today on Apple Podcasts, Spotify, or wherever you listen to podcasts.

Discover More